Posts Tagged punk
Bikini Kill/Huggy Bear | Split LP
Split LPs create a unique problem in titling blog post reviews. But forget about that. I love the split LP as an object unto itself, but am annoyed by it when it comes time to organize. I just came across this split the other day in a folder marked “206”, the Kill Rock Stars catalog number. That’s how it came when I bought the download last year direct from the KRS site. Since then they’ve been moving their digital sales to bandcamp, except for the Bikini Kill stuff because they bought the rights back or whatever. This release gets unfortunately gets lost in the shuffle. To prevent it from getting lost again in my own collection, I’ve split the release up into the respective artist folders because it’s really just 2 EPs released together for convenience sake. Convenience as a sell-able item that is. It’s the kind of thing that makes sense as a physical object. Except it doesn’t of course if you like to keep your records in order. Then all you can do is put it with the other split releases, possibly by catalog number. It’s almost enough to make you not care about anything at all, ever. Why even buy records, or talk about them? Maybe it’s time to delete all your blogs, stop checking your email, there’s no goddam point to anything if you can’t even keep a record collection in order. A record collection? Why?
But then you get over that cause there’s not really that many of them. And you can always sell them. You don’t even have to review them. It’s all right. It’s going to be fine. It’s going to be fine and good. The mp3s can go in separate folders, it’s going to be ok.
Huggy Bear, come over here for a second. I just want to talk. I got this for you guys. I like Bikini Kill fine, but all the songs on their side are on their other records in better versions. The slower version of Rebel Girl is interesting, I can’t believe that started out as a slow song. Not much else to say about it. But the cover is great. Don’t really get what you were going for with your cover. It wasn’t posted on the site when I bought it. I like to think that the BK cover is the the real cover of the entire release but we know that’s not true. It’s ok. I remember the 90s. I wasn’t really “around” for the early Riot Grrrl scene, but I remember all the reactionary aesthetic moves that seemed necessary at the time. So, a lot of things about this release seem a little jarring compared to your comp album Taking the Rough with the Smooch, but not that much considering the context. That comp has a real timeless feel to it tho. It’s one of my favorite 90s punk albums (even if it wasn’t conceived as an album). I didn’t even know there was more, I thought you guys were like the Germs. I don’t know why it took that long to find you had more albums. I’m going to have to check out the later stuff. Anyway, I like how this stuff matches the sound of the stuff on the comp, but I can see why none of it made the cut. I don’t really get what most of the songs are about; seems to be some British scene-related fashion policing. And there’s non-politicized young romance stuff, complete with a Charlie Brown sample. THAT’S SO 90s. I just mean, it is. Maybe you just didn’t think of the band as having a real set in stone image but I thought of it as a super angry, kinda beatnik/anarchist thing. Those angry songs were also the catchiest. I guess I get it, with the cover and all. This is more real autobiographical stuff about just being young people in a band? And the other early stuff is the ultimate fantasy of Super Punks…unless you guys were really killing cops in the streets. I’m not saying you weren’t…it just seems like that would be more known. I didn’t research it if there’s some open cases there. If there is, don’t answer this. I mean, it’s a blog post. That would be pretty stupid to give yourself up in a blog post comment after all this time. Not saying you would do that. It’s just…ok enough of that.
☠☠☠☠☠
If you people out there want a legit copy of this thing you’re going to have to get the vinyl used from a 3rd party, which will get the bands exactly as much money as if you torrent it or whatever it is you do, but you’ll have that piece of vinyl that going to stare at you from whatever random shelf you put it on cause you don’t know what to do with it…for the rest of your days. You’ll want to put it on sometimes tho, it’s pretty good.
...apparently you will find another band that is like kiddie techno or something if you look for the mp3s on amazon (but they have the other albums).
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Fugazi | Kansas City, KS USA, 8/28/93
This is my first dive into the live Fugazi vault. I never got to see them so one’s as good as any. I saw a lot of shows as a…youth. It was mostly a random thing back then. I remember mostly buying walk up tickets to shows that had no hope of selling out. Fugazi shows, unlike the band itself, always sold out, fast. They were popular and cheap. You had to have your shit together to get those tix. I did not, as they say, have the straight edge. Sometimes I think about how things might have been different…if I had gotten into one of these shows. It was that time in life when any little thing can Change Everything. I definitely had one of those moments when I bought my first Fugazi albums on cassette at the local comic book shop. First the Margin Walker EP, then Repeater. Mind-blowing stuff, but not the same as a live show. Certainly not the same as a Fugazi show, which by most accounts was a very guided experience. I used to get pretty wild at shows, not violent—I was not into the hardcore scene—but it got dumb. Crazy. A bit much, perhaps. Maybe if someone I respected gave my a stern talking to I would have toned that shit down. But for a time, getting completely retarded at shows was like all I had. It was a lot of fun. I could imagine instead that whole time just hanging back, shaking my head, feeling superior…everything coulda turned out different!
Or maybe not. I’m basing that whole idea on what I thought these shows were like. It’s a space that lives in my head, built up over the years by second-hand reports, that Instrument movie, bootleg tapes of out-of-context stage banter, and seeing Ian talk in person once at the Wetlands. He’s a completely reasonable man who seemingly can back up every suggestion with both a warm heart and cold logic. But you know he has this wild screaming alter-ego that can swing into this weird recess monitor mode. How did all these things resolve in reality?
I have looked for the answers in YouTube clips, as one does. Of course there’s plenty of live clips, but there’s plenty of Ian talks. They’re all pretty good if you need a general motivation boost, he’s good at that kind of thing, and you know he’s not bullshiting you with some positive thinking nonsense or made-up stories. It’s the real Punk ideas. But it’s even better when he gets real specific:
You’re gonna wanna watch this whole thing, but it’s at around the 40 minute mark that he describes the details of this Kansas City gig. With the magic of the internet and this meticulous archive, the full show was easily found, and upon the clearing of my meager paycheck, purchased and downloaded.
What comes through in these recent talks and the full shows in context is the band’s sense of humor. Even the strictly enforced $5 ticket price, which people are still today having friend and career-ruining arguments over after 20 years of inflation, was originally done because they “thought it was funny” (and perhaps more importantly for any note-takers: “because they could”).
Although there are some serious and practical matters behind some of the banter (around the 1 hr mark in the above talk Ian discusses some very real and unfortunate consequences of show violence), there’s times when you listen to some tapes of the stuff when you have to ask, “are these guys fucking kidding?” YES. When you listen to the whole show it’s clear they are at times actually attempting to lighten the mood. Like this thing with making the audience sign a petition? It happens pretty much exactly like he tells it in the story. And then turning all the lights off is just fucking with people—these guys are having a ball. That is Rock’n’Roll. That’s all Punk is, right? It’s about what’s possible with the reality in front of you. That’s so great that you can hear this story and then hear the actual thing and it all matches.
Oh, and there’s the music. I don’t know if they had any bad gigs, really, but this is good one. Great recording. I’m reminded that, even tho I’ve gotten all the albums over the years, I barely remember the ones that were not on Margin Walker (more commonly known now as the second half of 13 Songs) or Repeater. Played the shit out of those tapes, still have em. I’m also reminded of the song Rend It, which was put on a mixtape for me once. A mixtape I may have missed the point of, but which I also played the hell out of and still have. I’m not really a hidden message guy. It might seem stupid but my message is usually “check this music out”. I mean at times it could be “let’s have sex”, but that really seems better left to the moment, and would be said in those words. Rarely it could be “I am eternally devoted to you and there’s nothing you, or even I, can do about it” but that is almost always taken as deeply creepy, and rightly so. Never would you get that message in a Fugazi song. These guys are on that level level. Comparatively speaking. I’m way off. Sorry.
This is like when, uh, your lover turns over to you on the pillow and says ‘but now I can’t see your genitals’, it’s a lot like that. That ever happen to you?
—Guy Picciotto, on turning off all of the lights
Great version of Waiting Room. Bang, pow, smash.
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