Screaming Females | Chalk Tape
Here’s a nice little EP that made my “to get to” list in the 2013 post (I have since purchased all these records but still have yet to listen to all of them…holy shit.)
This band is way too cool to call this the Poison Arrow EP and put that song first but it’s clearly the hit and worth the price of admission. In fact, I’m a little bummed they didn’t put it on a full album. Because I don’t have any of their full albums, and I feel a little guilty. Cause they’re from New Jersey, not even simply New Jersey but New Brunswick and I kinda feel like “that’s my scene, man”, even though clearly it’s not anymore and even was it ever? Not really. But I’ve heard them, and I like them. Which should be enough to buy a band’s records. I shouldn’t have to feel obligated because I might run into them at a party or something. It could happen. The kind of party I don’t really expect to be invited to, but then when I am, I don’t show up anyway. Because I got some stuff to figure out, man. There’s just so many bands. And so many old records by old bands. This may even qualify for some people in both of those categories. I never really got that attitude.
But this is hardly a monolith of relevance as a release. It’s good as a starting point, but I’m going to have to get more if I really claim to give a shit. I mean, come on, me. We got a tracklist with 7 songs, but everyone that isn’t Poison Arrow is under 3 minutes. They’re just collecting the songs that don’t belong on a proper album, maybe they don’t even consider them finished. You got midtempo groover Sick Bed, the quick melodic hardcore-ish Crushing the Kingdom, acoustic ballad Bad Men, angular noise rock of Wrecking Ball—some great screams here, frontwoman Marissa has a great singing voice but the moniker’s not too ironic—also the quieter but still tense bongo rock of Into the Sun and a nice little end ditty feat. Shellshag, another one of those bands I should know real well from 10 years back, but I do just barely.
And the artwork doesn’t merely look like a demo tape as a retro gag, it really came out on tape. Only a hundred copies. I never really got that either, I’m not that kind of collector. Download is fine. %
Staff System for Numerical Notation
I made some quick sketches for my idea for a new type of staff system to get it out there. Each octave gets a line and the numerical value is written directly below. The standard graphical system for time value of the notes (whole/half/quarter/etc.) can still apply. Y’know, if yr into that sort of thing. (Shown is whole notes.) This is not written as something you’d play—altho technically you could mash down 12 keys at a time—it’s just an idea what it would look like:
Note that this is for a grand piano with 88 keys starting on low A. Most keyboards start on C and have less octaves. If you’re writing everything like it’s going to be performed by an orchestra, conventional methods are just fine and you certainly don’t need help from a moron like me. However, I find that the goal of writing music like that is little much for a student and not what they want to do anyway. So the task of writing music seems impossible and they never even really try it. This system is instrument specific; whatever keyboard you’ve got gets it’s own kind of staff. So it’s not some abstract system of every possible note you are dealing with, which you then apply to the instrument and see it if can hit it, but a very clear layout of all the notes available to you on the instrument in front of you.
Let’s take a closer look at how this works on another instrument: the saxophone. Various saxophones come in different ranges and keys, but the fingerings for the named notes are always the same. (Except some have a low A key or a high F#.) But the octave doesn’t start on the A for the the sax, it starts on D. It’s purely a mechanical feature of the instrument:
Now, if you know anything about the saxophone, you can see I’ve made a terrible mistake and left out an entire octave. This is not really a problem right now, because like the earlier posts, if I just put this thing out all at once looking great and making sense, some asshole is just going to put it on a t-shirt and no one will care where it came from. And of course, hardly anyone would use this system for piano or saxophone, it’s mostly useful for string instruments that can alter their tuning and range. (And maybe even for singers.) If you can figure out how to do this already, good for you. But I’ll keep working on better ways to present the idea. %
Top 10 90s K-pop on YouTube
- Seo Taiji & Boys (서태지와 아이들) | 필승 (PilSeung “Victory”)
- UP | 뿌요뿌요 (Puyo Puyo)
- 비비 (B.B.) | 하늘땅 별땅 (Haneulttang Byeolttang “Skyground Starground”)
- Young Turks Club (영턱스클럽) | 질투 (Jil Too “Jealousy”)
- Park Jin-Young (JYP) | She Was Pretty
- Seo Taiji & Boys (서태지와 아이들) | 하여가 (Hayuga)
- Seo Taiji & Boys (서태지와 아이들) | 난 알아요 (Nan Arayo “I Know”)
- Seo Taiji & Boys (서태지와 아이들) | FREESTYLE feat. Kim Kong Seo
- Roo’Ra | 날개잃은 천사 (The Angel Who Lost Wings)
- 터보 (Turbo) | Only Seventeen
(Lemonheads sample, so puzzling.)
Honorable mentions:
- Roo’Ra | Koreana In New York
(Yeah, it’s a Sting cover) - Seo Taiji & Boys (서태지와 아이들) | Come Back Home
(Kinda has to be mentioned, but it’s not that great a song…so many whys.)
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Minimoni. | Okashi Tsukette Okkasui~! [Make the Sweets Strangely Sweet]
Sweets! Sweets!
There’s some sweets
Let’s have fun making them
OH! Sweets
Sweets! Sweets!
There’s also some more sweets
Stuffed in our smiling faces
OH! Sweets
Sweets are strangely~sweet
(A pun?!)
OH! Sweets
Cake! Cake!
There’s cake
Let’s have fun making it
OH! IT’S Cake
Cake! Cake!
There’s cake
Happiness we can carry
OH! IT’S Cake
This is gonna be cake!
(Another pun?)
OH! Cake
Get on! Get on! Get on! Get on!
Get on! Get on! Get on! Get on!
We are the best
Come on! Come on! Come on! Come on!
Come on! Come on! Come on! Come on!
Together with sweets! Together we’re strangely sweet!
Because sweets are always shy
rarely do they have a conversation but….
Sweets…a strange thing! Sweets…a strange thing!
Sweets…a strange thing!
Strangely sweet!
Sweets are always attractive
they seem tasty from the first meeting
Sweets…a strange thing! Sweets…a strange thing!
Sweets…a strange thing!
Strangely sweet!
Sweets! Sweets!
Amazing sweets
Making us full
OH! sweets
Sweets! Sweets!
Sweet sweets
We won’t lose to anyone
OH! sweets
Sweets are strangely~sweet
(Delicious!)
OH! Sweets
Do it! Do it! Do it! Do it!
Do it! Do it! Do it! Do it!
We are beautiful girls
Everybody! Everybody! Everybody! Everybody!
Everybody! Everybody! Everybody! Everybody!
Together with sweets! Together we’re strangely sweet!
Sweets are a little like a moody boyfriend
Many days the moisture is no good
Sweets…a strange thing! Sweets…a strange thing!
Sweets…a strange thing!
Strangely sweet!
Sweets and us want to be on good terms
How many times we want to meet again
Sweets…a strange thing! Sweets…a strange thing!
Sweets…a strange thing!
Strangely sweet!
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